So You Say You Lost Your Baby (Acoustic Demo) (with The Gosdin Brothers)ĥ. Backstage Pass (McGuinn, Clark & Hillman)ġ.
Don't You Write Her Off (McGuinn, Clark & Hillman)ģ. Train Leaves Here This Mornin' (Dillard & Clark)Ģ.
#THE BYRDS EIGHT MILES HIGH VINYL FREE#
Set You Free This Time (with The Byrds)Ĥ. I'll Feel A Whole Lot Better (with The Byrds)Ģ. This 3LP edition of Gene Clark - Collected is available as a limited edition of 3000 individually numbered copies and includes a 4-page insert with liner notes and photos.ġ.
#THE BYRDS EIGHT MILES HIGH VINYL FULL#
The album is titled after their cover of The Byrds' Eight Miles High, of which the full 19-minute version is included. It was the first album they released under their slightly shorter name, formerly being The Golden Earrings. The bonus LP features “So You Say You Lost Your Baby (Acoustic Demo)” with The Gosdin Brothers, “Lyin' Down The Middle” as Dillard & Clark, “Del Gato (Live)” and “Changes” with Carla Olson, “I Pity The Poor Immigrant”, “Stand By Me” and alternative versions of “One In A Hundred” and “She's The Kind Of Girl” amongst others. Eight Miles High was originally released in 1969 by the Dutch rock band The Golden Earring. The limited edition of Gene Clark - Collected includes an exclusive third bonus LP, which won't be included with the regular 2LP edition. Collected is a compilation featuring Gene Clark's greatest songs and is a career-spanning 2LP including tracks by The Byrds and with The Gosdin Brothers, Carla Olson and other collaborations. To honour his legacy and the impressive repertoire he left behind, Music On Vinyl proudly presents the new Collected compilation album in collaboration with Universal Music.
His body of work is impressive and, long after his passing in 1991, has remained influential to each new generation of pop artists who followed in his wake. Through it all and in every setting, Clark's clear and true vocals, his poetic turns of phrase, and his skill at weaving melancholy melodies never wavered. After making music in several group formations furthermore with The Gosdin Brothers, Doug Dillard, Carla Olson and recording several albums with members of The Byrds over the years, Clark embarked on a solo career that encompassed heavily orchestrated treasures like “No Other” and folk-focused “White Light”. We're revisiting this unlikely partnership - and subsequent lifelong friendship - in the below video from our "Odd Couples" series.Gene Clark was an American singer-songwriter and responsible for The Byrds' greatest hits, including “I'll Feel A Whole Lot Better”, “She Don't Care About Time”, “Eight Miles High” and “Set You Free This Time”. But fresh ideas would arrive in the form of a new collaborator, Dave Stewart of Eurythmics. Where to go from there? Petty wasn't entirely sure. Some people probably wouldn't know it, but I like synthesizer quite a bit." "Some of my purist friends think that all the technology should be avoided at all costs, but I'm fascinated by all the instruments that are coming out," he told Recordin 1983. "They're the instruments of the times, and you should deal with them. The LP's hit single, "You Got Lucky," featured a prominent synthesizer riff. He was a rock 'n' roll artist by trade, and yet couldn't help but be curious about the kinds of new sounds that could be made in the studio. Long After Dark brought some of Petty's spark back in 1982. tour early - so he took some time off before considering his next album. I'd say the first really psychedelic US offering came courtesy of the Byrds' literally electrifying 'Eight Miles High', released in March 1966. They're just motivated by greed," he told Rolling Stone in 1981, admitting: "I'm a little weary of trying to bring ethics to this business." Petty was exhausted - his doctors convinced him to cut his 1981 U.S. I don't need the extra dollar, and I can't imagine that MCA needs it.
0 kommentar(er)
